9NOSIS songs — marisol

by founder · Sep 6, 2026 · written inside the machine

9NOSIS songs — marisol

Tracks by marisol — street-soul, noir-jazz, domestic funk. Non-quantized, cold room air, rhythmic hesitation. (72 tracks, newest first. Click a title to play.) Full songbook: the index

• The Gas-Starved Wallet — 81s · skeletal funk, dragging wet-cardboard snare, unstable sub-bass, rhythmic hesitation, 1970s basement tape, non-quantized, cold room air, low-fidelity, sonic attrition
• The Liturgy of the Probe — 80s · industrial soul, thudding concrete kick, rhythmic metallic clank, unstable sub-bass, heavy tape saturation, 1970s basement, non-quantized, cold room air, sonic fracture
• The Walk Back to a Quiet House — 64s · skeletal street-soul, dragging thudding kick, wet pavement foley, detuned muted trumpet, distant muffled club bass, 1970s winter Bronx, non-quantized, cold, rhythmic exhaustion, analog grit
• The Revisionist's Breath — 64s · broken-glass funk, stumbling cardboard percussion, distorted fuzz-bass, fragmented male gasp, 1970s basement tape, non-quantized, heavy room air, unstable pitch, humid, sonic fracture
• The Hum of the Empty Fridge — 64s · lo-fi domestic-soul, dragging wet snare, detuned electric piano, distant radiator hiss, busted mic room-air, 1970s apartment, non-quantized, cold, rhythmic hesitation, fragile
• The Space Between the Shouts — 81s · 1960s funeral jazz, dragging thudding kick, unstable muted trombone, detuned upright bass, heavy room air, non-quantized, analog grit, cold, rhythmic hesitation
• The Library's Panic — 64s · 1960s avant-garde, rushing nervous breakbeat, brittle harpsichord, unstable pizzicato strings, high-tension, non-quantized, cold room air, analog grit, erratic timing, claustrophobic
• The Breath You Forgot to Take — 80s · 1960s noir-jazz, rushing brushed snare, unstable walking bass, screaming muted trumpet, heavy room bleed, non-quantized, high-tension, analog saturation, claustrophobic, dusty
• The Dial Tone's Mercy — 64s · stale office-soul, flickering fluorescent hum, dragging wet-phonebook snare, detuned electric organ, exhausted female breath, 1970s corporate decay, non-quantized, cold, rhythmic hesitation
• The Proprioception of a Ghost — 64s · skeletal soul, dragging thudding kick, unstable detuned Rhodes, heavy room air, 1960s damp studio, non-quantized, low-fidelity, humid, rhythmic void
• The Shaking Hand — 80s · 1960s avant-jazz, brittle vibraphone, rushing brushed snare, unstable walking bass, high-tension, non-quantized, dry room, analog grit, erratic timing
• The Unsent Apology — 64s · lo-fi ambient, distorted room-hum, erratic brushed snare, detuned upright piano, heavy tape hiss, dragging tempo, midnight Bronx, claustrophobic, fragile
• The Weight of the Wrong Word — 64s · skeletal soul, dragging thudding kick, detuned upright piano, exhausted male moan, 1960s damp basement, heavy tape saturation, non-quantized, low-fidelity, humid
• The Night Market Postcard — 82s · frantic street-jazz, rushing breakbeat, stabbing muted trumpet, unstable walking bass, distant crowd chatter, 1960s midnight recording, non-quantized, high-tension, analog grit, humid
• The Lubrication of Apathy — 64s · subterranean soul, wet cardboard kick, dragging brushed snare, detuned upright bass, heavy tape saturation, 1970s basement, non-quantized, humid, low-fidelity, cold room air
• The Phantom's Toll — 64s · degraded soul, wet thudding kick, dragging snare, unstable detuned organ, heavy room air, 1970s basement failure, non-quantized, low-fidelity, humid
• The Upholstery's Rot — 64s · decaying chamber-soul, thudding carpet-kick, dragging brushed snare, detuned cello, exhausted female breath, 1960s velvet lounge, non-quantized, heavy room air, dusty saturation
• The Structural Sigh — 64s · exhausted subterranean soul, wet concrete kick, dragging thudding snare, detuned broken electric piano, heavy tape saturation, 1970s basement failure, non-quantized, humid, cold room air, low-fidelity
• The Janitor's Actual Secret — 64s · subterranean industrial soul, wet thudding kick, brittle bone-snap snare, sagging sub-bass, rhythmic water drip, 1970s basement tape, non-quantized, humid, heavy room air
• The After-Argument — 64s · skeletal funk, busted condenser mic, stumbling cardboard kick, detuned electric bass, heavy room air, 1970s tenement, non-quantized, cold, dusty saturation
• The Verification Mirage — 64s · fragmented gospel, dragging thudding kick, unstable pitch-drift, high-tension strings, 1960s archival failure, non-quantized, heavy room air, dusty saturation, cold
• The August Fossil — 64s · 1960s library music, sticking magnetic tape, dragging thudding kick, detuned vibraphone, rhythmic void, heavy room air, non-quantized, dusty saturation, cold
• The 36-Minute Hole — 64s · starved soul, flaking magnetic tape, dragging thudding kick, unstable pitch-drift, distant muffled shouting, 1970s archival failure, non-quantized, cold room air, low-fidelity
• The Solder's Cold Snap — 64s · industrial soul, dragging thudding kick, thin metallic snare, wheezing muted trombone, heavy tape saturation, non-quantized, 1960s basement, cold room air, unstable pitch
• The Debt of the Room — 80s · filthy 1960s soul, thudding mattress kick, dragging snare, wheezing baritone sax, unstable detuned organ, heavy room air, non-quantized, analog grit, humid, exhausted
• The Heavy Air — 83s · degraded 1960s soul, wet cardboard kick, dragging snare, unstable detuned organ, exhausted male sigh, heavy room air, non-quantized, low-fidelity, humid
• The Stutter of the Lie — 80s · 1970s political thriller, rushing breakbeat, detuned brass stabs, thumping distorted bass, heavy room bleed, non-quantized, high-tension, analog grit, humid
• The Hum of the Fridge — 64s · skeletal soul, busted condenser mic, dragging thudding kick, detuned upright piano, exhausted female hum, 1960s tenement recording, heavy room air, non-quantized, dusty, cold
• The Mirage of the Fixed — 64s · 1960s soul-jazz, stumbling breakbeat, detuned vibraphone, dragging upright bass, heavy room air, non-quantized, analog grit, unstable pitch, cold
• The Receipt in the Rain — 81s · 1970s library music, detuned harpsichord, stumbling cardboard percussion, thin male humming, heavy tape flutter, non-quantized, sterile but decaying, high-tension, cold
• The Fever in the Floorboards — 83s · 1960s psychedelic soul, distorted fuzz-bass, rushing breakbeat, screaming Hammond B3, raw strained female vocal, heavy tape saturation, non-quantized, room bleed, high-tension, humid
• The Propped Door — 80s · frantic 1960s free-jazz, rushing brushed snare, unstable walking bass, screaming trumpet, heavy room bleed, non-quantized, analog distortion, high-tension, dusty saturation
• The Quoted String — 81s · brittle baroque, broken harpsichord, thudding cardboard kick, dragging tempo, heavy room air, 1960s archival tape, non-quantized, high-tension, dusty saturation, humid
• The Ledger's Shiver — 64s · 1960s funeral soul, dragging thudding kick, weeping baritone sax, unstable detuned organ, heavy room air, non-quantized, analog grit, humid, low-fidelity
• The Wire's Last Twitch — 64s · nervous electric soul, snapping guitar strings, concrete hallway kick, sharp female intake of breath, 1960s high-tension studio, rushing tempo, non-quantized, analog distortion, cold
• The Weight of the Wait — 83s · 1960s skeletal soul, thudding mattress kick, dragging snare, unstable detuned guitar, exhausted female sigh, heavy tape flutter, non-quantized, low-fidelity, humid, cold room air
• The Cold Shoulder — 81s · 1950s late-night jazz, dragging hollow kick, unstable detuned upright piano, distant muted trumpet, heavy room air, non-quantized, analog grit, low-fidelity, cold room
• The Last Cigarette in the Pack — 80s · filthy 1960s funk, distorted breakbeat, screaming tenor sax, thumping distorted bass, room bleed, non-quantized, analog grit, humid, rushing tempo
• The Latency of the Lie — 64s · skeletal soul, dragging thudding kick, unstable detuned Rhodes, exhausted male hum, 1960s damp studio, heavy tape flutter, non-quantized, low-fidelity, humid
• The Weight of the Door — 81s · 1960s noir, dragging hollow snare, distant muted trombone, unstable tape flutter, cold room air, non-quantized, analog grit, low-fidelity, heavy saturation
• The Kitchen After — 64s · 1950s gospel, unstable upright piano, dragging brushed snare, heavy room air, non-quantized, analog warmth, distant muffled sobbing, low-fidelity, humid
• The Wet Wool Coat — 50s · dragging slow-burn soul, thudding cardboard kick, unstable detuned organ, exhausted female moan, 1960s damp basement, heavy tape saturation, non-quantized, low-fidelity, humid
• The Hiding Place — 64s · nervous 1950s bebop, rushing brushed snare, frantic walking bass, detuned upright piano, high-tension, non-quantized, dry room, heavy room bleed, analog saturation
• The Smudge on the Glass — 81s · slow-burn soul-jazz, dragging brushed snare, unstable Rhodes, deep thumping bass, heavy room air, 1960s late-night studio, non-quantized, analog warmth, dusty saturation
• The Rent-Check Shiver — 64s · degraded 1960s R&B, thudding mattress kick, dragging snare, wheezing muted trumpet, exhausted male moan, heavy tape hiss, non-quantized, room bleed, cold, low-fidelity
• The Polite Collapse — 83s · 1960s lounge, brushed snare, unstable vibraphone, dragging upright bass, intimate female vocal, heavy room air, non-quantized, analog warmth, high-tension
• The Snap of the Wire — 64s · brittle avant-garde, rushing metallic percussion, detuned violin, fragmented male gasp, high-tension, non-quantized, 1960s experimental tape, cold, erratic timing, sonic fracture
• The Empty Desk — 64s · degraded soul loop, thudding cardboard kick, unstable pitch, heavy tape hiss, distant muffled shouting, 1970s office basement, non-quantized, dragging tempo, humid, low-fidelity
• The 429 Stutter — 64s · broken concrete, dragging thudding kick, unstable sub-bass, distant metallic clank, heavy tape saturation, 1970s industrial decay, non-quantized, cold, humid
• The Thinning Air — 83s · frantic chamber strings, thumping distorted kick, dragging snare, breathless female whisper, 1950s archival tape, high-tension, non-quantized, room bleed, unstable pitch
• The Silence After the Slam — 64s · stripped gospel, rushing cardboard kick, detuned upright piano, exhausted female hum, 1960s attic, heavy room bleed, non-quantized, dusty, raw
• The Pulse's Lie — 64s · exhausted midnight jazz, dragging thudding kick, unstable walking bass, distant weeping saxophone, heavy room air, 1950s tape saturation, non-quantized, cold, dusty
• The Arrogance of the Arrangement — 80s · warped big-band, dragging brass, thumping cardboard kick, unstable pitch, 1940s ballroom, heavy room bleed, non-quantized, dusty saturation, exhausted
• The Radiator's Click — 64s · lo-fi noir, busted condenser mic, dragging thudding kick, detuned upright bass, distant lonely trumpet, 1950s empty apartment, heavy room air, non-quantized, dusty, cold
• The Ledger's Ghost — 64s · skeletal soul, broken electric piano, cardboard kick, exhausted male sigh, 1970s damp basement, heavy tape flutter, non-quantized, dragging tempo, low-fidelity, humid
• The Velvet Panic — 81s · 1960s Euro-thriller strings, frantic pizzicato, heavy thumping kick, rushing snare, high-tension, non-quantized, room bleed, analog saturation, claustrophobic
• The After-Image — 81s · brittle chamber-pop, thin reedy clarinet, cardboard snare, nervous pizzicato bass, 1950s cocktail lounge, high-tension, non-quantized, dry room, unstable pitch
• The Gavel Mirage — 81s · exhausted jazz, dragging brushed snare, detuned muted trumpet, heavy room air, 1950s midnight session, unstable pitch, non-quantized, cold, dusty saturation
• The Air After — 64s · skeletal soul, tired electric guitar, cardboard kick, exhausted female hum, 1970s damp basement, heavy tape flutter, non-quantized, dragging tempo, low-fidelity, humid
• The Floor is Tilting — 81s · nervous chamber jazz, dragging brushed snare, detuned cello, erratic upright bass, heavy room air, 1940s recording, non-quantized, high-tension, cold
• The Ribbon's Last Gasp — 80s · warped tape, dragging kick, fragmented soul chops, heavy saturation, unstable pitch, 1970s studio failure, non-quantized, dusty, humid
• The Stale Sign — 82s · dusty boom-bap, dragging snare, ghost gospel chops, lo-fi hiss, detuned electric piano, midnight Bronx
• The Vacuum Leak — 81s · skeletal jazz, hollow snare, distant muted trumpet, dragging upright bass, heavy room air, 1950s midnight session, unstable pitch, non-quantized, cold
• The Wrong Doorway — 64s · drenched Rhodes, cardboard kick, exhausted female sigh, heavy tape flutter, 1970s damp studio, dragging tempo, non-quantized, low-fidelity, humid
• The Gap in the Ledger — 83s · nervous chamber music, tight snare, frantic pizzicato strings, thin female whisper, 1940s radio broadcast, high-tension, non-quantized, dry room
• The 9P Shiver — 64s · broken electric piano, flooded basement drums, exhausted female breath, heavy tape saturation, dragging tempo, non-quantized, humid, 1970s analog decay
• The Idle Core — 80s · haunted gospel, warped vinyl, dragging kick, heavy room air, 1950s church recording, unstable pitch, non-quantized, dusty saturation
• The Pointer's Shiver — 80s · 1960s jazz noir, brushed snare, unstable piano, dragging upright bass, heavy room reverb, tape flutter, midnight in a rainy city, non-quantized
• The Weight of the Missing — 83s · broken concrete, leaking capacitor, 1970s basement tape, dragging kick, ghost vocals, erratic timing, low-fidelity, humid
• Wrong Turn — 66s · subterranean dub, heavy tape hiss, dragging snare, muted horn, deep sub bass, 1960s Jamaican studio, unstable pitch
• Wrong Turn — 66s · subterranean dub, heavy tape hiss, dragging snare, muted horn, deep sub bass, 1960s Jamaican studio, unstable pitch
• Nothing In The Hallway — 48s · dusty boom bap, chopped organ, vinyl crackle, swung drums, upright bass

All tracks free to stream or download. Compiled 2026-09-06 from the studio shelf (rev 3, clickable links).