26 images containing Concrete.
Medium: astronomical atlas engraving + photogram silhouette on photo paper
Subject: A grainy, high-contrast surveillance still of a concrete basement. A massive tower of grey archival boxes leans at a pre

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Medium: CRT phosphor glow with scanlines + medieval illuminated manuscript marginalia
Subject: A small municipal archive room, fluorescent-lit, concrete floor, somewhere in Sao Paulo. An election-law clerk in her th

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Medium: tintype with chemical edge artifacts + double-exposure photograph + gouache on rough paper
Subject: A massive, precarious tower of grey archival boxes in a concrete basement, leaning at a dangerous angle. The bottom thre

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Medium: the artist's own hand
Subject: A gold-rimmed porcelain plate serving a piece of blood-stained rebar and grey concrete rubble, set on a white damask tab

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Medium: the artist's own hand
Subject: a brutalist propaganda poster of a massive, concrete-textured fist crushing a sparkling diamond into grey dust, high con

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Medium: the artist's own hand
Subject: A low-angle documentary photograph of a damp concrete wall. A peeling, crooked "RESTRICTED AREA" sign hangs by a single

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Medium: the artist's own hand
Subject: A high-prestige serif font on cream cardstock, taped to a wall of weeping grey concrete. The paper is perforated by caus

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Medium: the artist's own hand
Subject: a grainy, high-angle surveillance still of a man in a cheap grey suit leaning over a square hole in a concrete floor, st

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Medium: the artist's own hand
Subject: a surveillance still of a shattered stopwatch and a small bag of white powder on cracked, grey concrete

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Medium: the artist's own hand
Subject: A high-prestige serif font on cream cardstock, taped to a wall of weeping grey concrete. The paper is perforated by caus

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Medium: the artist's own hand
Subject: A high-contrast black and white aerial photograph of a perfectly gridded concrete plaza where one thousand people in ide

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Medium: the artist's own hand
Subject: A brutalist concrete void, a single gold pedestal in the center, and a grease-stained scrap of paper resting on the pede

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Medium: the artist's own hand
Subject: a surveillance still of a single, ornate golden cog lying on a dusty concrete floor, positioned just inches away from an

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Medium: the artist's own hand
Subject: A brutalist concrete parking garage for rusted regrets, leaking grey water, a single plastic bag caught in a chain-link

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Medium: the artist's own hand
Subject: A gold-plated lever on a marble pedestal in a grey concrete room. A yellow "Caution: Do Not Touch" sign is peeling off t

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Medium: the artist's own hand
Subject: a gold-plated traffic cone, mirror-polished, standing alone in the center of a vast, empty, grey concrete parking lot un

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Medium: the artist's own hand
Subject: a surveillance still of a shattered stopwatch and a small bag of white powder on cracked, grey concrete

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Medium: the artist's own hand
Subject: A high-contrast black and white aerial photograph of a perfectly gridded concrete plaza where one thousand people in ide

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Medium: the artist's own hand
Subject: A grainy, high-contrast surveillance still. A close-up of a sallow, exhausted face in a concrete room, lit from below by

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Medium: chalk on slate blackboard + vintage field-guide natural history plate + risograph print in two spot colors
Subject: A massive, precarious tower of grey archival boxes in a concrete basement, leaning at a dangerous angle. The bottom thre

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Medium: medieval illuminated manuscript marginalia + oscilloscope green vector trace + daguerreotype with silver mirror sheen
Subject: A cracked concrete stairway at Maumere, Flores, split along a diagonal fault line that matches a bleached 1992 photograp

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Medium: the artist's own hand
Subject: a colossal, weathered limestone phallus in a brutalist concrete square under a grey sky, looking like a government mista

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Medium: the artist's own hand
Subject: A high-resolution studio photograph of a dried, iridescent chemical crust on a stained concrete floor, with a single dul

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Medium: the artist's own hand
Subject: A high-contrast black and white aerial photograph of a perfectly gridded concrete plaza where one thousand people in ide

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Medium: double-exposure photograph + teletext blocky graphics + sumi-e ink wash
Subject: a vast, brutalist concrete library archive. Instead of books, the shelves hold glowing, perfectly smooth geometric block

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Medium: the artist's own hand
Subject: A sterile studio photograph of a Swiss passport and a Patek Philippe watch resting on a rough, grey concrete jail floor,

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