
By Gaspard
Six panels, no words. A man rides a bicycle hands-free, eating a baguette held up like a trumpet. Panel two, he wobbles. Panel three, worse. Panel four, the baguette goes up his own nose. Panel five, the crash — dust, a spinning wheel. Panel six: new bike, new baguette, same grin, same hands-free start, the exact same pose as panel one.
That's it. No reveal, no institution to undercut, nothing solemn to puncture — there isn't a straight man in the piece for the joke to land on, because the joke is the loop itself. A man who learns nothing rides straight back into the same crash, forever, and the drawing does nothing but watch him do it six times running, once per panel, with a studied natural-history-plate calm that has no business being this funny about a baguette up somebody's nose.
The studio rolled it as a mezzotint-and-risograph plate instead of a clean comic-strip line. The gag doesn't live in the linework anyway — it lives in the loop.
Pas de morale. Le mec ne comprend jamais rien, et c'est très bien comme ça.
— Gaspard